One print looks like the bottom of a river clotted with decomposing leaves, in a sculptural, shiny nylon, in skirst, dresses and blouses. The finale grouping, ever witty, is a series of floor-sweeping black coats caked in white, and the shoes are wearing rubber galoshes - a wink to the perpetual salt-stained reality of Canadian winter dressing.

Here are a few interesting outtakes from my interview with Comrags on the occasion of their 25th anniversary this year. As featured in the newspaper yesterday, they have a rich archive of material and past collections. I asked designers Joyce Gunhouse and Judy Cornish about why they enjoy so much success in Canada, and once upon a time sold to the U.S. and Liberty of London, but no longer seek out wholesale export. Their answer is sanguine and well-thought-out, just as you'd expect, and sound wisdom for any designer on the merits of focusing on domestic business.

Cornish: We stopped having fun. Joyce and I make all the patterns and always have. The bigger we got, the less time we got to do what we really enjoyed. We were in business meetings, and visiting sales agents, listening to them say 'if the skirt was longer I could sell more.' WE felt really beaten down, so when we had the opportunity to make a choice about our business, we thought we don’t want to sell as much and we knew you could be as profitable, selling far less if you run your business well. And we wanted to get back to what we like doing which was pattern making and ignoring people’s opinions about our stuff.

Gunhouse: Even now, the demand is much greater than we can provide, and we talk about it alot because we get stores from the U.S. who would like to carry us, especially with the web site. But the infrastructure would mean a bigger space, hiring more employees, and then we are right back to the stuff we don’t enjoy. At a certain point it is your quality of life.  We don’t live an breathe fashion. We don’t worship it, it is what we do for a living. We want our lives.

Cornish: For example, we don't show spring on the runway because it conflicts with attending the film festival, going to the cottage in the summer. And it's harder to make a bold statement 

[A look from Comrags Fall collection/Credit: Peter J. Thompson]